Bakasuran” opens with a striking image, the title ablaze in red flames, accompanied by an unsettling soundtrack that feels like a demonic scream. Directed by Mohan G, the film channels a raw and intense anger, particularly focused on the themes of young women and mobile phones. The anti-hero, Bheemarasu, played by Selvaraghavan, seems to carry over the dark energy from his previous role in “Saani Kaayidham.”
From the start, Bheema is on a violent rampage, and the film doesn’t shy away from showing graphic brutality. The director’s name appears dramatically as Bheema crushes a man’s head with a rock, a moment that lacks any artistic flair or context. Throughout the first half, we witness an overwhelming amount of violence, with scenes that feel more like a display of the filmmaker’s rage than a coherent narrative.
As Bheema inflicts harm, the misogyny in the film becomes glaringly apparent. The flashback that attempts to explain his actions comes much later, leaving viewers with a disturbing portrayal of a man who revels in violence against women. One particularly chilling moment involves Bheema joking about the concept of ‘maanam,’ suggesting that women should prioritize honor over their own lives. This unsettling message is hard to overlook, especially coming from a man who is supposed to be a father. Overall, “Bakasuran” presents a dark and troubling narrative that raises significant concerns about its portrayal of women and violence, making it a difficult watch for those sensitive to these themes.
